Allison Krauss has a beautifully smooth and relaxing voice. Just listen:
I’ve said to friends on a number of occasions that I think that it’s quite likely a nuclear bomb will go off in a major American (or European) city within our lifetimes. I guess it’s a morbid prediction to make, but as an avid believer in Murphy’s Law, I think it’s a reasonable prediction. No one took the idea of a terrorist attack like 9/11 seriously prior to it actually happening, and today the idea of nuclear terrorism in an American city is so terrible a thought that it’s nearly inconceivable.
Jay Davis has an interesting article in the Washington Post about how the US should respond if/when this occurs. I applaud Davis for thinking in hypotheticals that aren’t often discussed, and his recommendations look good as well.
The appearance of nuclear weapons materials on the black market is a growing global concern, and it is crucial that the United States reinforce its team of nuclear forensics experts and modernize its forensics tools to prepare for or respond to a possible nuclear terrorist attack.
So what do you think. Is this possible? Is this likely?
As an at-times-unabashed-elitist, I’m rather embarassed I like this song. But I do, so here goes. Excuse the super-cheesy music video (I guess it fits the music?)
Jordin Sparks featuring Chris Brown, “No Air”:
I think the thing that hooked me is the fact that this song is mostly just repetition of one chorus/ groove section where they continually layer more instrumentation and vocals on top of it. I’ll probably hate it in one more week.
Barack Obama’s religious beliefs are a sort of blank slate. People from different backgrounds look at him and come to strikingly different conclusions.
There are, of course, the crazies who think Obama is a wicked Muslim Manchurian candidate. A friend of mine was recently giving a campus tour to a prospective student and the student’s parents. They walked by a TV in a lobby showing Fox News (of course) and happened to ask my friend who she was supporting. She replied that she was an Obama supporter, and the mom leaned in and said in a conspiratorial tone, “Well, don’t you think it’s possible, just possible that he’s a plant from Al Qaeda?”
So there are those people. (I’m certain the child will choose my school)
Then are the sincere, likable evangelical Christians who are turning away from the GOP in favor of Obama. They see his religious expressions as more genuine than the professions of prior Democratic candidates, and like his rhetoric that incorporates their religious heritage into policy directions they are generally in line with. They are passionately pro-life and generally against gay marriage, but they are coming to question the Iraq War (if they ever supported it), they see poverty and climate change as moral issues, and they’re more likely to feel compassion than fear when considering immigration.
When I was a freshman, my school’s College Democrats sold 15 t-shirts and counted that a milestone. By this year (five years later) the student Facebook group supporting Obama has 150+ students. I chock this up to a combination of disillusionment with Iraq, feelings of being used by the right-wing-machine, and Obama’s personal appeal and newish approach to religion (at least for a Democrat). The only Hillary supporters I know here are two faculty members and a student from Guyana.
And another friend of mine is a self-described “third-generation secular humanist,” and she sees Obama’s faith in a different light:
Me: “Frankly, I miss the days when the Republicans were the ones associating and apologizing for the nutty religious leaders, and you knew the Democrats were pleasantly secular with a window-trimming of gentle religion for political purposes.”
Her: “Actually, I think Obama is only socially religious and doesn’t really believe in God. I’ve read his books, but I think a lot of that’s political; you have to do that to run for office.”
To each their own?
If you haven’t seen Across the Universe, you should. It’s a movie musical that tells a story about the 1960’s using music written by the Beatles. Here’s one of the best songs from the movie, the cover of Let It Be.
This. girl. rocks.
Jonah Lehrer of The Frontal Cortex spoke at the Clinton School last night, and it was great. I just reviewed Lehrer’s first book Proust was a Neuroscientist and was excited to hear him speak on the purposefully outrageous title “Kanye West Was a Neuroscientist.” I also had the privilege of introducing him. I had written out the introduction, but then cut it down quite a bit, so here’s the longer version I didn’t actually get to give:
I am a student of science. Science appeals to my practical side; it took us to the Moon and back, it let us map the human genome, and science helped us eradicate smallpox, all within my parents’ life spans. Science appeals to me because the reductionist technique is an incredible tool for fighting disease and gaining knowledge about the world we inhabit.
I started my day this morning with a lab for Advanced Genetics, where we’re studying Arabidopsis thaliana, a plant species so important that only genetics students have ever heard of it. This semester we undergrads have been using the elegant techniques of science to create new, if extremely specialized, knowledge about the world. The techniques of science and the philosophy of reductionism are so powerful that it’s tempting to apply them to every field of knowledge. But we need balance.
After my genetics lab I go to the daily Chorus rehearsal. Walking into the music building for Chorus is like crossing an invisible but impenetrable barrier between entire realms of knowledge and ways of knowing. Few of my friends in the science building are active in the arts, so I have a hard time explaining the irreducible experience of singing Brahms’ German Requiem with a group of talented musicians. And hardly anyone in Chorus would stay awake if I started talking about the routine glory I see in the polymerase chain reaction.
Jonah Lehrer’s first book, Proust Was a Neuroscientist is an exuberant demonstration that these barriers between science and art can and should be broken down. By taking test cases of artists, authors, musicians, and cooks who anticipated the discoveries of today’s neuroscience, Lehrer makes a strong case for the importance of the arts. And when Lehrer writes about the limitations of science, it is all the more convincing because he also writes knowledgeably about its groundbreaking successes.
Lehrer studied neuroscience at Columbia University, where he worked in the lab of Nobel Prize-winning neuroscientist Eric Kandel. Lehrer was a writer for the Columbia Spectator, a Gospel music DJ for Columbia’s radio station, and Editor-in-Chief of The Columbia Review, the university poetry magazine. He also worked as a line cook at Le Cirque 2000 and Le Bernardin.
Lehrer then studied at Oxford University as a Rhodes Scholar, where he did much of the research that would become his first book. Today he is Editor at Large for Seed, a magazine about science and culture. He has written for the Boston Globe, Nature, and NPR, and writes a blog about neuroscience called the Frontal Cortex. Join me in welcoming Jonah Lehrer.
Lehrer’s talk was largely based on content from his book. He talked about Escoffier and Stravinsky, and how our love of music is rooted in our ability to recognize patterns. Great artists make good music by setting up a pattern and intentionally withholding it from us. Because we want the pattern again and don’t quite get what we want, our ears and our brain stay fascinated. This, Lehrer argued, is a key similarity between Beethoven and Kanye West. It’s almost like Stravinsky and Kanye West are evolutionarily conserved hox developmental genes in fruit flies and mammals (I’ll let you pick which is which) that have been recently discovered to be homologous. From the outside they look completely different, but what makes them tick is basically the same.
Lehrer’s speech also reminded me of the new John Mayer song I heard for the first time last week. “Say” is pretty simple–it’s the high guitar (or ukulele?) hook at the beginning that first caught my ear. But listen to the chorus too; it’s one six-word phrase repeated over and over:
This simple pattern is very catchy–it sticks in your head. I heard it once on the radio, and then once on the PA system before Bill Clinton spoke (random mix of music I’m sure) and then I had it stuck in my head the whole drive back from New Orleans. I literally flipped through stations hoping to hear the song. I thought about stopping to buy it, but never passed any music stores. At that point I didn’t know who it was or the name of the song, but I was hooked.
So I got home, found out what the song was, and bought in on iTunes. I must say, I’m already kind of tired of it. The Chorus is just too repetitive. While Mayer has some excellent other music, his singles tend to be of lower quality. The difference between a good song and an ok song, or between mere pop music and real music seems to be in these patterns. “Say” is simply too predictable. You know exactly what Mayer will say before he says it, because it’s the same thing over and over again. Really great music flirts with that repetition but never quite gives you satisfaction. And that’s why Brahms takes more effort to listen to, but will likely stand the test of time longer than John Mayer. Or at least his radio singles.